This three feet tall gold-like glittering brass statue, a highly accomplished example of the art of metal casting, represents Krishna in flute-playing Tribhanga three-curved form. As if overwhelmed by the melody pouring from his flute a phenomenon that ears fail to experience but whose sweet fragrance the eyes savour, the entire image appears to burst into a divine rapture. The smile, which his cute lips cradle, reveals the inner bliss, which is, perhaps, the most outstanding feature of the iconography of the image. The divine ecstasy, which emits from the flute of Krishna, has drawn the flute player inside out leaving him transformed into a rhythmic trance, which reveals not only in his ‘tribhanga’ but also in the gesture of his arms a form that combines the essence of music, dance and divine grace. The image uses bold details, but given an exceptionally sensitive treatment, which imparts to it its life vigour, even in such bold details, it discovers its great excellence. The images of the Krishna Brass Statue are usually treated with perceptible emotionality, but instead, this image has around it an aura of transcendence. It is unique in its adherence to classical norms, particularly such as in ‘Chitra-sutra’ the ‘Vishnudharmottara Purana’ prescribes.
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